Glimpses of Freedom: Independent Cinemas in Southeast Asia

Zbiorowa praca o kinie Azji Południowo-Wschodniej. Artykuły i wywiady podzielone zostały na trzy tematyczne części: Action, Reflection i Advocacy.

Introduction: Dialectics of Independence – May Adadol Ingawanij

Part 1 Action

Voices of the Fourth Generation of Malaysian-Indian Filmmakers – Hassan Abd Muthalib
Dissent Isn’t Disloyalty: In Conversation with Martyn See – Vinita Ramani Mohan
The Age of Thai Independence: Looking Back on the First Decade of the Short Film – Chalida Uabumrungjit
Piracy Boom Boom – John Torres
Aku, Perempuan, dan Perempuan Itu: Me, Woman, and that Woman – Chris Chong Chan Fui

Part 2 Reflection

Circumventing Channels: Indie Filmmaking in Post-Socialist Vietnam and Beyond – Mariam B. Lam
Auteur-ing Malaysia: Yasmin Ahmad and Dreamed Communities – Benjamin McKay
Smoking, Eating, and Desire: A Study of Alienation in the Films of James Lee – Gaik Cheng Khoo
Independence and Indigenous Film: The Framing of Timor-Leste – Angle Bextey
The Strange Story of a Strange Beast: Receptions in Thailand of Apichatpong Weerasethakul’s Sat pralaat – Benedict R. O’G. Anderson
The Thai Short Film and Video Festival and the Question of Independence – May Adadol Ingawanij

Part 3 Advocacy

Like the Body and the Soul: Independence and Aesthetics in Contemporary Philippine Cinema – Alexis A. Tioseco
The Piracy Generation: Media Piracy and Independent Film in Southeast Asia Tilman Baumgartel
The Substation and the Emergence of an Alternative Cinema Culture in Singapore – Jan Uhde Yvonne Ng Uhde
The Beginnings of Digital Cinema in Southeast Asia – Eloisa May P. Hernandez

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